Sorry Wrong Number was first heard on radio's Suspense series in 1943, with Agnes Moorehead as the harried Mrs. Stevenson (a role she'd repeat several times on radio and on stage). One evening, she picks up her phone and overhears two men plotting a murder; eventually, the crime moves too close to Stanwyck for comfort
Stanwyck is excellent as the spoiled, arrogant, and wealthy, but, ultimately, helpless heroine of Lucille Fletcher's adapted radio play (the part was originated on radio by Agnes Moorehead). Number derives sleek hysteria from its audaciously constraining narrative strategy. Written by |, June 24, 2006 Leona Stevenson is sick and confined to her bed. Unable to leave her home or reach her husband (Burt Lancaster), and written off by the police, Leona struggles to uncover the truth through a series of phone calls that only lead her deeper into a mystery, which may involve her college rival, Sally (Ann Richards), and a scheme to sell pharmaceuticals on the black market. Sorry, Wrong Number Due to a telephone glitch, Leona Stevenson (Barbara Stanwyck), a controlling heiress confined to a wheelchair, overhears a conversation about a plan to kill a woman. Coming Soon. But Prohibition bootlegging didn't prepare Frankie for Big Business. I highly recommend this movie. Sign up here. (1948). Coming Soon. Forgot your password? Want to share IMDb's rating on your own site? When Lucille Fletcher took on the challenge of expanding her classic 30-minute radio suspenser Sorry, Wrong Number into an 89-minute feature film. She is married to the very attractive, and mysterious, young Burt Lancaster (as Henry Stevenson). An armored truck driver and his lovely ex-wife conspire with a gang to have his own truck robbed on the route. Cinemark Please read the following before uploading. |, January 2, 2008 We want to hear what you have to say but need to verify your email. Is 'Sorry, Wrong Number' based on a book. © 2020 CBS Interactive Inc. All Rights Reserved. Fletcher adapted her celebrated 22-minute, single-character radio play into an almost equally tense screenplay, still retaining many of the eerie sound effects. Verified reviews are considered more trustworthy by fellow moviegoers. ******** Sorry, Wrong Number (9/1/48) Anatole Litvak ~ Barbara Stanwyck, Burt Lancaster, Wendell Corey. A detailed chronicle of a woman during her stay in a mental institution. All rights reserved. You're almost there! | Rating: B+ View production, box office, & company info. Plot. Prime Video has your Halloween movie picks covered. Crime. One day, while listening to what seems to be a crossed telephone connection, she hears two men planning a … Your AMC Ticket Confirmation# can be found in your order confirmation email. She becomes increasingly desperate as she tries to work out who the victim is so the crime can be prevented. The film’s basic premise is just too compelling to resist. This 10-digit number is your confirmation number. Looking for some great streaming picks? Stanwyck was too strong to play this simpering role. The images should not contain any sexually explicit content, race hatred material or other offensive symbols or images. Keep track of everything you watch; tell your friends. Ms. Stanwyck relies on a state-of-the-art 1940s corded telephone to help communicate her needs. | Top Critics (5) She tries to piece the puzzle together and prevent it. While on the telephone, an invalid woman overhears what she thinks is a murder plot and attempts to prevent it. and to receive email from Rotten Tomatoes and Fandango. |, November 6, 2004 |, October 10, 2008 Anxiously, Leona wades through telephone-company bureaucracy to trace the call, never catching on -- until it's too late -- that the murder being planned is hers. By activating, you agree that you want to enable cloud technology to access your Xfinity Stream subscription on additional supported devices like computers and tablets, as well as the TV connected to your set-top DVR via Comcast's network. A series of flashbacks details the disintegrating marriage between the wealthy Leona and her weakling husband Henry (Burt Lancaster), and Henry's subsequent disastrous get-rich-quick schemes involving chemist Waldo Evans (Harold Vermilyea) and a surly gangster (William Conrad). A man is reunited with his childhood friend and her husband, who believe he knows the truth about the death of her rich aunt years earlier. Barbara Stanwyck stars as bedridden hypochondriac Leona Stevenson, who while trying to make a call from her bedroom telephone gets her wires crossed and inadvertently overhears two men plotting a murder. Director Anatole Litvak includes some nice shots, including a creepy pan back from Stanwyck's bedroom, out her window, and down to the shadow of an approaching man, and he's also faithful to the original radio play, which I first read in McSweeney's 'Hitchcock and Bradbury Fistfight in Heaven'. Regal Was this review helpful to you? Do not upload anything which you do not own or are fully licensed to upload. Coming Soon, Regal Frankie Madison leaves prison expecting a share from his ex-partner. | Rotten (3). |, November 4, 2007 We want to hear what you have to say but need to verify your account. Use the HTML below. Leona Stevenson is the spoiled, bedridden daughter of wealthy businessman James Cotterell. Perhaps if you have a special interest in foul folks and morbidities, you will thrill to this Hal Wallis picture. Title: and the Terms and Policies, Just below that it reads "Ticket Confirmation#:" followed by a 10-digit number. |, September 30, 2005 Definitely worth checking out. Don't have an account? One day, while listening to what seems to be a crossed telephone connection, she hears two men planning a … The daughter of a Nevada casino owner gets involved with a racketeer, despite everyone's efforts to separate them. Remember: Abuse of the TV.com image system may result in you being banned from uploading images or from the entire site – so, play nice and respect the rules! Leona Stevenson is the spoiled, bedridden daughter of wealthy businessman James Cotterell. They won't be able to see your review if you only submit your rating. A great example of film noir, 'Sorry, Wrong Caller' has a taut script, with a bed-ridden woman getting connected into a phone call between thugs planning a murder that evening, and proceeding to tell her story in flashbacks as the fateful hour looms. Stanwyck's metamorphosis from indolence to hysteria is brilliantly executed. She becomes increasingly desperate as she tries to work out who the victim is so the crime can be prevented. Though disappointed that she wasn't chosen to star in the film version, Moorehead took some satisfaction in the fact that a recording of the original radio program was played constantly on the set to help keep Barbara Stanwyck "in the mood". One night, whilst waiting for her husband to return home, she picks up the phone and accidentally overhears a conversation between two men planning a murder. The story picks up some flaws in its extension into a feature film; it is most frustrating as (flashbacks) ((within flashbacks)) (((within flashbacks))) occur; and, the story becomes a little confusing. The percentage of Approved Tomatometer Critics who have given this movie a positive review. They hire a postal address and use three public telephone boxes, which it is Terry's job to mind, making sure they are free. Frankly, we squirmed -- and not from dread. With Dennis Waterman, George Cole, T.P. A Perfectly Normal Family (En helt almindelig familie), J.R. 'Bob' Dobbs & The Church of the SubGenius, Fall TV First Look: Find Out What’s Coming, The Best Peacock Original Shows and Movies, All Upcoming Disney Movies: New Disney Live-Action, Animation, Pixar, Marvel, and More. |, January 2, 2008 | Rating: 4/5, January 15, 2005 Probably the first great telephone themed thriller ever. | Rating: 1.5/5 Plot. Emmys flashback: One-season winners starring Bob Newhart, Julie Andrews, James Earl Jones …. When the cops make contact a male voice tells them sorry, wrong number... For the Hal Wallis movie in 1948 Fletcher constructed an elaborate back-story with incidental characters using flashbacks-within-flashbacks, a rather wearying process that takes us farther and farther away from the original taut premise though Barbara Stanwyck holds her own superbly amid the constant 'interruptions'. Anatole Litvak's taut, gripping, highly stylized noir, based a 22 minute radio play with Agnes Moorehead, is one of the genre's very best, with a bed-ridden Stanwyck in a tour de force performance--a case study for lover of film noir.